The feeling I have while I listen to this Indian Summer is that it seems as if the band is on some sort of obliged duty. Admirable restraint, and a great album. Actually, All Around Me is a different version, though not as different as the rerecording of the first album’s Waltz Of The Dark Riddle, which utilises a string section instead of the original’s Mellotron. Streams Videos All Posts. A final release containing Landberk’s music is the official double CD of ‘s Progfest, titled, funnily enough, Progfest ‘ While not a bad song, it’s the sort of track that would get itself lost about halfway through an album, and probably isn’t worth splashing out a fortune for, although it has a typically nice ‘Tron part. Mine wouldn’t be that harsh, but let’s be honest:

Even on the more raucous “1st of May” and later on the robust “Dustgod” whether the pace quickens, the landberk indian summer remains, verging near a proggier Joy Division or perhaps Radiohead. These appear to be two entirely different recordings; the Swedish version plays flatter and has a rawer sound than the English, and both albums have different bonus tracks, making them both essential for the aficionado. If you want to hunt down one bizarre landberk indian summer that many will puzzle over, get this stunner.

Whether or not Unaffected is ‘official’ isn’t that relevant, really, especially with the band having gone the way of all things, so, generally recommended. There had already been a significant change in direction between Landberk ‘s Lonely Land and One Man Tells Another, but nothing that could have foretold the Swedish group’s third and final opus, Indian Summer.

Album highlights include Kontiki, Valentinsong and the sublime Tell, also the album’s Mellotron classic, with a superb chord sequence in the ‘chorus’ and a fantastic conclusion where Nordberg holds a dissonant chord, then flicks the track selector across all three sounds until the tapes run out. Because it is not loud crappy tracks like 1st Of May that do landberk indian summer good to the album, and neither does the equally loud Dustgod, which seems to have some programmed keyboard sounds or the drum-loud but overly simple Dreamdance.

Noticeably more rhythmic than their debut, One Man is decidedly ‘artier’, both in sound and packaging, and marks the ascendance of Reine Fiske’s guitar in the band’s sound.

Introspection Late Night Partying. Landberk indian summer members reviews Another time, swedish music makes me proud. Please enable JavaScript in your browser to use the site fully. Why Do I Still Sleep 7: Copyright Prog Archives, All rights reserved. If this was truly LANDBERK’s final album, and after an almost ten-year silence it’s beginning to look likely, they can at least boast of having quit at the top of their game.

Maybe that was the problem.

Indian Summer

In summrr, thinking about it, Van der Graaf are one of Landberk’s more obvious influences, although without the shouty bits. The album is made up of simple melodies with interesting textures and experimental sounds lush, symphonic keyboards, mellotron and prominent drums through out. There’s still plenty of Hammond and Mellotron to be heard, but it landberk indian summer to me as if the guitar took precedence during the album’s writing sessions, particularly in the rhythm department.

This is one of those albums that received two official and contemporary releases both now long OOPone on their usual Record Heaven, and the other on the famous Musea label. His playing over the long fade out of “All Around Me”, or during the climactic chorus of “Why Do I Still Sleep” I just now noticed the telling lack of a question mark in the song’s titleis almost cathartic in its beauty, wringing out every last drop of emotion from his strings.

The flame is almost extinguished. The repeated Sara Isaksson wailing is hypnotic and tortuous. You must be a forum member sukmer post a review, please register here if you are not. The rest of the album carries on in a similar vein, although there are a couple of slightly more upbeat numbers; Landberk were nothing if not melancholy, to the point where they made their aforementioned contemporaries sound like quintessential party bands.

It sounds like a soundboard tape to me, with the landberk indian summer sometimes too high in the mix, while the sleeve lacks the professional sheen of the band’s official releases, but it’s been so widely available, unchallenged by the band, that I feel compelled to include it.

The title track closes the album with a heartbreakingly simple guitar piece. Anyway, landbberk band are playing in front of small club audiences in Italy and Germany in early ’95, with vocalist Patric Helje singing in both Swedish and English. Sounds build as vocals join in. No release results – showing artist results instead. The title track closes out landberk indian summer peculiar disc, a “not a prog for all seasons” testament to fabulous prog giant that left us way early, for whatever frail human reason.

Another thing is the band’s now-eroded over-reliance on the mellotron landberk indian summer, even if it is still effective enough, especially countering the still-effective and unique Fiske guitar sound; but should you take the trons out, I’m not sure there is that summre substance left to these.

Vocals arrive around a minute. His unique guitar playing always stands out and provides that craving and almost hesitating tone in Landberk’s dim and bare sound.

Planet Mellotron Album Reviews: Landberk

Indian Summer is the last Landberk album. Right, Landberk have come quite a way in sumner a few years. The other chief difference between the two versions is the excellent cover of T2 ‘s No More White Horses, complete with the Mellotron missing from the original.